Some manufacturers compensate for this with preamps, or by employing two or more transducers. Speaking of volume: Without direct string contact, soundboard transducers tend to output lower levels, partly because of the softer initial attack. (And once mounted inside the body, the piezo is as invisible as an under-saddle pickup.) On a bass with acoustically balanced strings, this guarantees equal string volume. One obvious solution is to change the piezo’s position, moving it from under the saddle to the soundboard. (For example, the heat-shrink tubing on a cheap model might soften those harsh, percussive qualities.) At any rate, you can’t judge quality by price alone. Some of these critiques are irrefutable, while those involving tone quality are subjective. When the piezo is under high pressure, the resulting tones can be harsh, unnaturally direct, and overly percussive.
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